Choosing a favorite episode of The Magnus Archives, or even a short list of them, is more challenging than it might first appear. Part of the progression of the show involves the revelation of how the overarching story of the Magnus Institute and its staff is connected to the individual statements of supernatural encounters that the Archivist reads aloud, but in some episodes, one of those narrative threads is much more significant and memorable than the other. (I remember Martin’s confession about his work history in Season 2 much more clearly than the statement that accompanied it, for instance.) So, as a compromise, I’ve decided to list my five favorite episodes (one for each season) that function – on some level – as stand-alone horror stories, told by characters whom we only hear from once.
1. MAG013: “Alone”
Admittedly, the end of Season 3 does briefly revisit Naomi Herne, and of course the Lukas family become increasingly important as the show continues… but this was the episode that cemented my emotional investment in TMA, and will probably always end up on my list of favorites regardless of criteria. I love the melancholy tone and atmosphere, Naomi’s tragic romance with Evan (a character to whom I am very attached even though he never once speaks on tape), her perspective on his terrifyingly cultlike family, and the early insights on how insidious the Lonely can be, long before it affects any of the main characters.
2. MAG059: “Recluse”
I actually considered a few other self-contained statements from Season 2, including “Grifter’s Bone” and “Binary” (I really like when TMA explores urban legends, even if they only exist in-universe), but if you know me, you’re probably not surprised that my top choice from this season involves mind control at the hands of a trusted authority figure. Raymond Fielding is among the scariest one-off monsters in the whole show, and I love the sense of dread that escalates throughout Ronald’s time on Hill Top Road. Also, the fascinating Agnes Montague gets to fulfill the Creepy Little Girl role, albeit one with good intentions, in this story.
3. MAG 090: “Body Builder”
For the most part, my fondness for Season 3 comes from the character and lore development, so it wasn’t necessarily easy to choose an individual statement that I enjoyed in isolation. This one sticks out in my memory, less because I was emotionally invested in its narrator than because of the surreal imagery and excellent sense of escalating dread. Jonny Sims said at one point that he particularly enjoyed writing the Flesh because it gave him the chance to write the weirdest possible body horror, and this episode is probably my favorite example.
4. MAG 153: “Love Bombing”
I’ve long been fascinated by stories about cults, and the story of the Divine Chain is scarily plausible even without the intervention of eldritch entities.
5. MAG 172: “Strung Out”
In an altered world where the victims of the Fears had very limited agency or variety in their fates, the individual horror scenarios sometimes blurred together, but Francis, whose drug addiction made them a target for the Web, was one of the most distinctive and sympathetic one-off characters. All of the themes and metaphors and emotions in this episode worked beautifully – and devastatingly – well together.
1. MAG013: “Alone”
Admittedly, the end of Season 3 does briefly revisit Naomi Herne, and of course the Lukas family become increasingly important as the show continues… but this was the episode that cemented my emotional investment in TMA, and will probably always end up on my list of favorites regardless of criteria. I love the melancholy tone and atmosphere, Naomi’s tragic romance with Evan (a character to whom I am very attached even though he never once speaks on tape), her perspective on his terrifyingly cultlike family, and the early insights on how insidious the Lonely can be, long before it affects any of the main characters.
2. MAG059: “Recluse”
I actually considered a few other self-contained statements from Season 2, including “Grifter’s Bone” and “Binary” (I really like when TMA explores urban legends, even if they only exist in-universe), but if you know me, you’re probably not surprised that my top choice from this season involves mind control at the hands of a trusted authority figure. Raymond Fielding is among the scariest one-off monsters in the whole show, and I love the sense of dread that escalates throughout Ronald’s time on Hill Top Road. Also, the fascinating Agnes Montague gets to fulfill the Creepy Little Girl role, albeit one with good intentions, in this story.
3. MAG 090: “Body Builder”
For the most part, my fondness for Season 3 comes from the character and lore development, so it wasn’t necessarily easy to choose an individual statement that I enjoyed in isolation. This one sticks out in my memory, less because I was emotionally invested in its narrator than because of the surreal imagery and excellent sense of escalating dread. Jonny Sims said at one point that he particularly enjoyed writing the Flesh because it gave him the chance to write the weirdest possible body horror, and this episode is probably my favorite example.
4. MAG 153: “Love Bombing”
I’ve long been fascinated by stories about cults, and the story of the Divine Chain is scarily plausible even without the intervention of eldritch entities.
5. MAG 172: “Strung Out”
In an altered world where the victims of the Fears had very limited agency or variety in their fates, the individual horror scenarios sometimes blurred together, but Francis, whose drug addiction made them a target for the Web, was one of the most distinctive and sympathetic one-off characters. All of the themes and metaphors and emotions in this episode worked beautifully – and devastatingly – well together.